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It is plausible that evolution could have created the human skeleton, but it is hard to believe that it created the human mind. Yet, in six or seven million years evolution came up with Homo sapiens, a creature unlike anything the world had ever known. The mental gap between man and ape is immense, and yet evolution bridged that gap in so short a space of time. Since the brain is the organ of the mind, it is natural to assume that during the evolution of our hominid ancestors there were changes in the brain that can account for this gap. This book is a search for those changes.

It is not enough to understand the universe, the world, or the animal kingdom: we need to understand ourselves. Humans are unlike any other animal in dominating the earth and adapting to any environment. This book searches for specializations in the human brain that make this possible. As well as considering the anatomical differences, it examines the contribution of different areas of the brain - reviewing studies in which functional brain imaging has been used to study the brain mechanisms that are involved in perception, manual skill, language, planning, reasoning, and social cognition. It considers a range of skills unique to us - for example our ability to learn a language and pass on cultural traditions in this way, and become aware of our own throughts through inner speech

Written in a lively style by a distinguished scientist who has made his own major contribution to our understanding of the mind, the book is a far-reaching and exciting quest to understand those things that make humans unique.

• Sales Rank: #487055 in Books
• Brand: Brand: Oxford University Press, USA
• Published on: 2008-07-15
• Original language: English
• Number of items: 1
• Dimensions: 6.00" h x .90" w x 9.30" l, 1.35 pounds
• Binding: Hardcover
• 288 pages

Features

• Used Book in Good Condition

About the Author

Professor Passingham was awarded a B.A in Psychology and Philosophy at the University of Oxford (1966), and an M.Sc in Abnormal Psychology at the Institute of Psychiatry (London) (1967). He did his Ph.D. in London under the supervision of Dr. George Ettlinger (1967-1970). He then returned to Oxford, initially on a programme grant to Professor Larry Weiskrantz and Dr Alan Cowey. In 1976 he was appointed to a University Lectureship in the Department of Experimental Psychology at Oxford, together with a Fellowship at Wadham College. He was made an ad hominem Reader in Cognitive Neuroscience in 1993 and a Professor of Cognitive Neuroscience in 1997. He has been an Honorary Principal at the Wellcome Centre for Neuroimaging (London) since 1994.

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• Published on: 1707
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Please note that there is a new edition of this book at  amazon.com/Electronic-Music-Sound-Design-Practice/dp/8890548452/ref=pd_ybh_1 

Structured for use in university courses, the book is an overview of the theory and practice of Max/MSP, with a glossary of terms and suggested tests that allow students to evaluate their progress. Comprehensive online support, running parallel to the explanations in the book, includes hundreds of sample patches, analyses, interactive sound-building exercises, and reverse engineering exercises. This book will provide a reader with skill and understanding in using Max/MSP for sound design and musical composition.

You can download a PDF demo of the book at virtual-sound.com/en

• Sales Rank: #1401751 in Books
• Brand: Brand: Contemponet
• Published on: 2010-12-01
• Original language: English
• Number of items: 1
• Dimensions: 9.61" h x 1.11" w x 6.69" l, 1.90 pounds
• Binding: Paperback
• 548 pages

Features

• Used Book in Good Condition

From the Back Cover
Alessandro Cipriani * Maurizio Giri
Electronic Music and Sound Design Theory and Practice with Max/MSP * volume 1

Topics
Sound Synthesis and Processing - Frequency, Amplitude and Waveform - Envelopes and Glissandi - Additive Synthesis and Vector Synthesis - Noise Generators - Filters - Subtractive Synthesis - Virtual Synthesizer Programming - Equalizers, Impulses and Resonant Bodies - Control Signals and LFOs - Max/MSP Programming Techniques

"This book is one of the first courses on electronic sound that explicitly integrates perception, theory, and practice using examples of real-time sound synthesis you can manipulate and experience for yourself. In my opinion, Cipriani and Giri have done a masterful job of allowing experiential and theoretical knowledge to reinforce each other. This book will work either as a textbook or as a vehicle for the independent learner. As a bonus, the book includes a thorough introduction to digital signal processing with Max/MSP and serves as a wonderful introduction to the programming concepts in that software. I hope you will take advantage of the excellent Max/MSP examples the authors have created. They are simultaneously fun and enlightening, and they sound good enough to use on stage. They are also worth examining as models for your own Max/MSP patches, or for extending in new ways. As you will see, the theoretical chapters are the "T" chapters, while practical and experiential knowledge is imparted by the "P" chapters. These chapters alternate, in the form of a ladder, refining the concepts at ever higher levels of sophistication. I want to wish you good luck on this new adventure, and also thank my two Italian friends for creating such a comprehensive resource for learning about digital music - the one I wish existed when I was a student!"
(from the Foreword by David Zicarelli, publisher of Max/MSP).

This is the first of a series of three volumes dedicated to digital synthesis and sound design. It is ideal for those who are newcomers to the field, but it will also prove to be an indispensable resource for those who wish to deepen existing skills in sound design, in electronic music, or in Max/MSP.

About the Author
ALESSANDRO CIPRIANI co-authored "Virtual Sound", a textbook on Csound programming, and was a co-creator of the first online course on sound synthesis available in Europe. His electroacoustic and multimedia compositions have been performed at major festivals and electronic music venues (such as Synthèse Bourges, Venice Biennale and the International Computer Music Conference), and released on CDs and DVDs issued by Computer Music Journal, ICMC, CNI, Everglade, as well as others. He is a tenured professor in electronic music at the Conservatory of Frosinone, a founding member of Edison Studio in Rome, and a member of the editorial board of the journal Organised Sound (published by Cambridge University Press). He has given seminars at many European and American universities, including the University of California - Santa Barbara, Sibelius Academy in Helsinki, and Accademia di S. Cecilia in Rome.

MAURIZIO GIRI is a professor of composition as well as a teacher of Max/MSP programming techniques at the conservatories of Rome and Frosinone. He is an instrumental, electroacoustic and multimedia composer of music, specializing in digital sound and video processing and computer-assisted composition. He has written computer applications for algorithmic composition and live performance, and has published numerous tutorials on MaxMSP. He was artist in residence at the Cité Internationale des Artes in Paris, and at GRAME in Lyon. He is also an associate member of the Nicod Institute at the Ècole Normale Supérieur in Paris, where he is currently collaborating with other faculty members on a textbook on the philosophy of sound, entitled "Knowledge of Sound".

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7 of 7 people found the following review helpful.
Finally a Max/MSP and Digital Synthesis textbook.
By F. DeSena
This book by Cipriani and Giri really fills the bill on a number of counts. First it is a methodical exposition of programming with Max and MSP, suitable for use as a textbook in a second-level music technology course. But even more than that, it is a text which covers the principles and practice of digital synthesis. These are precisely the two major components of my Electronic Music II course at New World School of the Arts in Miami.

This is a book I have longed for, both in my current position, and my previous one as director of the Electronic Music Studio at the University of Miami. I dare say there are many music technology teachers who will welcome this particular conceptual pairing, and therefore consider its adoption as a course text.

The writing is clear and the theoretical concepts are given a sound and methodical, yet practical exposition. This is not the book for a rigorous mathematical presentation of acoustics and signal processing, for that purpose there are other texts. It is, however, a broadly useful and accessible textbook guide to digital synthesis and processing using the software platform that has become the standard in the field of electronic music programming.

If you teach electronic music with Max/MSP or just want to learn about it, you should check out this book.

5 of 5 people found the following review helpful.
One of the few Max/MSP books available, and it's darn GOOD!
By zhiwan
I've been studying Max/MSP for the past year using the tutorials that came with the program. I got by fine using this method, combined with the cycling74 forums. Now I am quite comfortable with Max and Jitter. However, I never quite got the hang of the MSP tutorials. I'm not exactly musically inclined, and I felt like I was trudging through no man's land learning MSP this way.

Someone recommended me this book, and I must say, it was one of the best buys I've ever made. The book is well paced, divided into theory, followed by related exercises, and finishes with Max/MSP basics for the beginners. Rinse and repeat. The book may be a bit intense for those with absolutely no knowledge of Max/MSP, but for someone who really sucks at music, Electronic Music and Sound Design proved invaluable. Music terms are clearly defined. Extra max patches and listening activities are added on their website that work seamlessly with each chapter. But my greatest praise comes from the overall clarity found throughout the text. Most books I've read concerning software instructions are vague. Often, I am confused by which layer (Adobe products) the author is referring to, or how to get to a certain filter or menu item without having to Google it up. But Cipriani and Giri never gave me that problem when I followed their instructions. And it never felt pedantic. One small minor wish for the authors: please add solutions to the exercises. I would like to see how certain problems were solved. With Max, there's so many ways to do things that looking at someone else's work can be so instructive.

If you are serious about learning this amazing program, at some point, you must give this book a try.

1 of 1 people found the following review helpful.
Great -- though make sure you get the edition which is for your version of Max (5 vs. 6)
By ML in Berkeley
This book's unusual format is truly helpful and enjoyable. They alternate explanations with hands-on sections, helping you more deeply understand the new material than would happen otherwise.

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A lonely young farmer finds an iridescent snail shell that contains the moon goddess, White Wave, and the farmer's loneliness soon disappears, but when he yearns for more than he is given, he loses what he loves.

• Sales Rank: #2434336 in Books
• Published on: 1996-09
• Original language: English
• Number of items: 1
• Dimensions: .43" h x 8.39" w x 10.31" l,
• Binding: Hardcover

From School Library Journal
Kindergarten-Grade 3. A well-told Chinese folktale, first published in 1979 (Crowell), has been reissued with a handsome new jacket and a few changes in the text. The moon goddess, White Wave, appears in the form of a moon snail to keep house for a poor farmer. When he discovers her in human form, she ascends to heaven in awesome glory, but promises to return in his hour of need. Wolkstein has added an author's note to this version, made some editorial changes, and given the farmer a name. Young's black-and-white pencil drawings, repeating the spiraling moon snail motif while poignantly evoking the farmer's loss and White Wave's majesty, come to the new edition unchanged. They are now printed on matte paper with red borders and subtle illuminations of silver and look slightly more dramatic than they did in the earlier edition. Libraries with a clean copy of the older version may not need this new one. Those with a demand for authentic Chinese stories to read aloud will value a second chance to purchase this title.?Margaret A. Chang, North Adams State College, MA
Copyright 1997 Reed Business Information, Inc.

From Kirkus Reviews
Wolkstein (Esther's Story, 1996, etc.) revisits an exquisite Chinese folktale she first published in 1979. The poor, solitary farmer of the original tale now has a name: Kuo Ming. He finds an opalescent shell and takes it home. The next evening, his dinner is waiting for him when he returns from the fields. He wonders how this happens, and, by spying, he discovers a woman of light, the moon goddess, who lives in the shell; he knows he must not touch her. In the way of such things, he cannot resist doing so, and thus loses her, but she leaves him her name, White Wave, and a promise that she keeps. He builds a shrine to her and tells his children the tale. When he dies, the shell is lost; the shrine, in time, disappears. ``All that remained was the story.'' The changes in the text may be too subtle to justify purchasing this newly designed edition where the old one is still available; Young's spare black-and-white pencil illustrations, with their gorgeous use of negative space, are unchanged. Still, where copies are tattered, or for those who missed it the first time around, this is a beautiful volume. (Picture book/folklore. 3-7) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

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3 of 3 people found the following review helpful.
We All Have A Story!
By barbara ulbrich
Not only is White Wave a story of a farmer who loses something and someone he loves, it is a perfect story for others who have lost a loved one. It makes us remember and remind ourselves we all have a story, and how we live our lives will depend on the story others will tell about us. As an elementary teacher, I have read this story aloud hundreds of times. It is still as moving to me as it was the first time it was read aloud to me and a group of adults at a reading conference more than 25 years ago.

0 of 0 people found the following review helpful.
I'll Always Love You, Nana Upstairs
By Nigel Watson
every kid (big people too) should have this one, right next to Velveteen Rabbit, Charlotte's Web, Winnie-the-Pooh, Oliver Button is a Sissy, How Do The Ducks Know?, I'll Always Love You, Nana Upstairs..., The House That Crack Built, Clever Gretchen, The Elizabeth Stories, TA For Kids and The Giving Tree.
Teach your children well... to love and be grateful.

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The book, Dropping in on Picasso, explores the masterworks of Pablo Picasso and explains how and why the artist's work evolved from his Blue period to his Rose period, to Cubism and even sculpture. The artist Pablo Picasso is interviewed by a little bird named Puffer who humorously gives descriptive explanations about Picasso's work while actual examples are shown.

• Sales Rank: #4950133 in Books
• Published on: 2005-03-08
• Original language: English
• Dimensions: 8.75" h x 10.50" w x .25" l, .75 pounds
• Binding: Hardcover
• 32 pages

Most helpful customer reviews

3 of 3 people found the following review helpful.
Ideal as a supplement for school art history and art appreciation curriculums and classes
By Midwest Book Review
Readers old and young will enjoy Pamela Geiger Stephen's humorous, lighthearted, but informative approach which combines Jim McNeill's deft illustrations with actual art images from the work of Pablo Picasso. As Picasso's masterworks are presented and explored, the characters in this lively picture book pose open-ended questions that will prompt the reader to make his or her own critical analyses and interpretations of these seminal works of art. Indeed, it's finding out that Picasso's artwork continues to pose answered questions is a major part of the attraction of this unique approach to art instruction for young (and not-so-young!) readers. Also very highly recommended is the Crystal Productions VHS video tape format of Dropping In On Picasso that has Puffer dropping in on Pablo Picasso in an animated approach that combines sequences with details and full-screen images of the artwork. This superbly produced video is accompanied by a guide with suggested activities, making it ideal as a supplement for school art history and art appreciation curriculums and classes.

1 of 1 people found the following review helpful.
Excellent Book and VHS for Kids
By Taffy
After meeting the author and illustrator, I bought all of the Dropping in on books for my classroom. The Dropping in on books and videos are delightful and informative. I will buy more to give as gifts.

Can't wait for the next set!!

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[O933.Ebook] Download Ebook Auto Collision Repair and Refinishing, by Michael Crandell

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Auto Collision Repair and Refinishing details the latest collision repair and refinishing techniques, as well as more traditional repair procedures. It presents both the theoretical and practical aspects of collision repair and refinishing, preparing students for a fast-paced workplace that is becoming increasingly technical.

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• Sales Rank: #396747 in Books
• Brand: Brand: Goodheart-Willcox
• Published on: 2013-01-21
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x 1.00" w x 8.50" l, 4.40 pounds
• Binding: Hardcover
• 880 pages

Features

• Used Book in Good Condition

About the Author
Michael Crandell taught collision repair and refinishing at Carl Sandburg College for almost 20 years. He also operated his own auto body shop, Smash Palace, for 17 years. He is an ASE Certified Master Auto body/Paint technician. He is certified in all ASE categories, including Damage Analysis and Estimating.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Excellent product condition, but NOT what I thought I was buying
By Arlin R Buckwalter
I thought I was buying a paperback version of the textbook. It is not clearly marked that this is a student workbook and NOT the text.

0 of 0 people found the following review helpful.
Better price than the bookstore
By A. Gordon Pym
Better price than the bookstore. Excellently written. I'm a professor and have read a LOT of textbooks and this one does what it's supposed to do in a simple, student-friendly way.

0 of 0 people found the following review helpful.
Five Stars
By Katie
Excellent timing with Amazon Prime! I'm impressed. :)

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[Z679.Ebook] Download PDF Learning from Research: Getting more from your data, by Judith Bell, Clive Opie

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* How do I begin to plan my research?/par0/par0/
* How can I be sure that I am collecting useful data and analysing it appropriately?/par0/
* Do I need a sophisticated understanding of statistics in order to carry out high quality research?/par0/
If these are questions which concern you, then you will find great support in this reassuring and down to earth book. It tells the story of five postgraduate researchers on their journey to successful completion of Master of Education or PhD degrees. Four of the five were new to research, had demanding full time jobs and so were researching part time - and at a distance. All four undertook quantitative studies and even though two of them claimed to be 'afraid of stats' at the beginning, they all succeeded in producing quality theses. The fifth researcher had previous relevant research experience and had an award which enabled her to carry out a full time qualitative investigation at doctoral level. All five faced sharp learning curves at various times but they learnt from their experiences, as we all do. They discuss very openly some of the mistakes they made, the lessons they learnt and, with hindsight, how they might have done things differently./par0/
A comprehensive glossary, key quotations in boxes and detailed annotated further reading combined with a straightforward writing style make this an invaluable text for any researcher.

• Sales Rank: #5954224 in Books
• Published on: 2002-09
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .71" w x 5.40" l, .85 pounds
• Binding: Paperback
• 288 pages

Review
“This is an excellent companion volume to Judith Bell’s best-selling Doing Your Research Project…If you are embarking on research in the humanities or social sciences, this offers a supportive and well-informed account of the approaches you might take.” – www.mantex.co.uk (Mantex Info Design website 2003-10-30)

About the Author
Judith Bell has worked as a university lecturer, head of department, vice principal in colleges of further education, course team writer for the Open University and as one of Her Majesty's Inspectors of Schools specialising in further, higher and continuing education. She now holds the honorary post of Special Professor in the School of Continuing Education at the University of Nottingham. She is the author of Doing Your Research Project which is now into its third edition.

Clive Opie is Head of Education Centres at Manchester Metropolitan University. Formerly, he was a lecturer in the School of Education at the University of Sheffield and Director of the School's M.Ed programme in Singapore.

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