Sabtu, 23 November 2013

[Z528.Ebook] Download Designated Targets: World War 2.2 (Axis of Time Trilogy 2)

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  • Binding: Paperback

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Jumat, 22 November 2013

[H560.Ebook] Free PDF Once Upon a Time: Shadow of the Queen, by Daniel T. Thomsen, Corinna Bechko

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Once Upon a Time: Shadow of the Queen, by Daniel T. Thomsen, Corinna Bechko

The Evil Queen has, quite literally, captured the Huntsman's heart -- and now he's her slave. Based on the world of ABC's hit primetime series ONCE UPON A TIME, this is the never-before-told tale behind their twisted relationship -- and what happens when a good man is forced to do bad. When Regina cooks up yet another devious plan to capture Snow White -- this time by allying with a pack of power-hungry werewolves -- the Huntsman comes face-to-face with his past...and an independent spirit in Red Riding Hood that just may match his own. Can these two break free of the forces that bind them and save Snow White? When put to the test, where will the Huntsman's loyalties lie? Has the Evil Queen stolen his heart in more ways than one?

  • Sales Rank: #63460 in Books
  • Published on: 2013-09-03
  • Released on: 2013-09-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x .50" w x 7.00" l, .88 pounds
  • Binding: Hardcover
  • 112 pages

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16 of 20 people found the following review helpful.
Magic and Passion
By Linda Cox
I love Once Upon a Time and was happy when the graphic novel was announced. One thing I love about graphic novels is that it can expand on the universe and tell more stories the show is not able to do. This graphic novel does just that. It steps into Fairy Tale land precurse and tells the story of the Huntsman's loyalty to Snow White and what he is willing to do to protect her and her love ones. The art work is amazing. It is full of details and the colors help set the mood for the overall story. It is a quick read. Took me around 30 mins or so to complete. Without spoiling anything there is some plot points that make me wonder if this is going to be cannon with the show or going slightly AU. Either way it was a delightful read. Wish it was a little longer but overall good to add to your Once Upon a Time collection. Can't wait for season 3.

4 of 4 people found the following review helpful.
Strong Shadow but Inconsistent art
By Anthony R. Cardno
Despite what the introduction says about how accessible the story is, I can't imagine anyone who doesn't watch Once Upon A Time picking this graphic novel up. Hopefully for Marvel and ABC, the Once core audience is rabid enough that they will pick up all associated media -- especially media that seems to fit into the Canon of the show, as this story does.

The first thing the creators did right was set the story completely in the Enchanted Forest and tell it in chronological order. Switching back and forth with Storybrooke and bouncing in time is a comic book trademark as much as a Once/Lost/etc trait, but I think in would have worked against the story here. The second thing they did right was make this a Canon story -- from the executive producers introduction, it's clear this is a story they had developed during season one but unable to fit into the constraints of the season ... and as much as fans love and miss The Huntsman and Red Riding Hood, the show has moved on from their stories. The story is paced well and the dialogue at least rings true to the actors, especially the dialogue for the Evil Queen (somewhat less so for Red, sad to say). If the Once producers and Marvel can continue to coordinate their stories and let these stand-alone graphic novels fill in the gaps in story for the secondary characters like the Huntsman and Red (and the werewolf tribe Red is exiled from), the series might just work.

The thing that works against this book is the wildly variable artwork. On the one hand, you have a chapter by the still-phenomenal-after-all-these-years Michael Wm. Kaluta. Visually, that was my favorite chapter of the book. Unfortunately, the chapter art doesn't all mesh -- chapter two in particular doesn't fit or flow with the rest of the book's look. It's not that the art is bad, it's that the sudden change in look threw me out of the story. I'm not sure what the intent was of having multiple art styles telling the same continuous story.

Still the art is a minor quibble in a story that was fun to read and complementing the source material.

3 of 3 people found the following review helpful.
pretty cool
By bri
I just want to know if there will be more?! The artwork looked fabulous though and am hopeful that there are/will be (I haven't looked yet).

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Rabu, 20 November 2013

[Q401.Ebook] PDF Download Pas Si Fous, Ces Francais! (French Edition), by Jean-Benoit Nadeau, Julie Barlow

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Pas Si Fous, Ces Francais! (French Edition), by Jean-Benoit Nadeau, Julie Barlow

Maintenant disponible en format poche chez Points (Seuil)Deux journalistes, canadien et québécois, ont passé plus de deux ans à observer et à tenter de comprendre la culture française. Bousculant la plupart des idées reçues sur la France, les auteurs ont passé au crible leurs réflexes culturels, leur supposée arrogance au culte de l État et des grands hommes, leur passion pour la laïcité, ou leur penchant pour les manifestations. Ils ont étudié la façon dont les Français inventent l exception culturelle, prétendent résister à la mondialisation, tournent leurs phrases, corrigent leurs interlocuteurs. « Pas si fous ces Français est une lecture des plus revigorantes. » Bernard Pivot

  • Sales Rank: #941837 in Books
  • Published on: 2013-04-20
  • Original language: French
  • Number of items: 1
  • Dimensions: 6.75" h x 4.75" w x .75" l, .42 pounds
  • Binding: Paperback
  • 377 pages

About the Author
Jean-Benoît Nadeau et Julie Barlow travaillent pour le magazine L actualité. Jean-Benoît Nadeau a publié Les Français aussi ont un accent (Payot, 2002) et a reçu de nombreuses récompenses, dont le prix du journaliste de l année 2003 décerné par l Association québécoise des éditeurs de magazines.

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2 of 2 people found the following review helpful.
Simplement délirant....
By Jérôme Leballeur
Ce livre est un très bon outil pour comprendre les principales différences entre la culture de la société française et celle des États unis.
Utile lorsqu'on se penche sur ce genre de question. Les français se retrouveront assez facilement dans cette ouvrage !
A lire...

0 of 2 people found the following review helpful.
French people have it good!
By Elisabeth Vaughan
I still have to finish reading it, but I like it so far. Reviewed it for the French Club, I belong to.

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Jumat, 15 November 2013

[I573.Ebook] PDF Download Aesthetic Hybridity in Mughal Painting, 1526-1658 (Transculturalisms, 1400a 1700), by Valerie Gonzalez

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Aesthetic Hybridity in Mughal Painting, 1526-1658 (Transculturalisms, 1400a 1700), by Valerie Gonzalez

The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique

  • Sales Rank: #4339448 in Books
  • Published on: 2016-02-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x .81" w x 6.14" l, 1.88 pounds
  • Binding: Hardcover
  • 336 pages

Review
'Equipped with an understanding of aesthetics as the analysis of the sensory and affective encounter and a deep respect for artistic creativity, Gonzalez is able to argue for a new understanding of Mughal painting's aesthetic syntheses of Indic, Persian, Islamic, and European pictorial traditions. Her phenomenological method permits an acute account of how a work of art makes a world through practices of spatiality, textuality, and figurality. Her historical analysis compellingly explains the transformations of these practices during the Mughal empire.' Laura U. Marks, Simon Fraser University, Canada

About the Author
Valerie Gonzalez is an expert on Islamic art history and aesthetics. She teaches Islamic studies at the Leighton House Museum, London. She was previously a member of the Institute for Advanced Study, Princeton University, USA.

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Senin, 04 November 2013

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Developing Professional Knowledge And Competence

  • Published on: 1600
  • Binding: Paperback

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Minggu, 03 November 2013

[H724.Ebook] Free Ebook Forensic Examination of Windows-Supported File Systems, by Doug Elrick

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Forensic Examination of Windows-Supported File Systems, by Doug Elrick

Understanding the underlying system of how files are stored, what happens when they are deleted, and how to potentially recover them is essential to the digital forensic examiner. Today’s computer forensic tools automate the process of file recovery, but understanding what those tools are accomplishing and knowing whether they are providing accurate results requires an understanding of the information provided in this text. The FAT and NTFS file systems are the most commonly utilized information storage methods and while there are many other methods available, concentrating on these two lays the foundation for learning the others in the future. A brief introduction of ExFAT is included, as it is a relatively new file system used with larger flash drives. Forensic Examination of Windows-Supported File Systems will provide the basis for this knowledge and the practical expertise to begin the journey of becoming a digital forensic scientist.

  • Sales Rank: #698991 in Books
  • Published on: 2014-04-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.00" h x .93" w x 8.50" l, 2.00 pounds
  • Binding: Paperback
  • 392 pages

About the Author
Doug Elrick has worked in the area of digital forensics for over twenty years. He instructs law enforcement and corporate security investigators in proper forensic methodologies and in the use of common computer forensic applications. Doug holds a Master’s of Science in Digital Forensics from the University of Central Florida and has obtained the following digital forensic certifications: CFCE and CAWFE from IACIS, EnCE from Guidance Software, and ACE from AccessData.

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2 of 2 people found the following review helpful.
From The Front Lines
By CyberDoctor
Additional Comment:

I have added an additional star as I spoke with the author and found that they are revising the book as errors are noted. This is apparently an advantage of using a smaller publishing company. They are able to make revisions on the fly as copies are printed. I believe the ongoing effort to make corrections and improve the quality of the text deserves another star.

Original Review:

I am using this text in college-level courses. I will cautiously recommend its use with the following considerations.

First, this book is relatively ground-breaking and I agree with a previous reviewer that Doug Elrick can legitimately be considered a pioneer in this somewhat new and emerging scientific field, especially on the academic side. The book is a first of its kind and is an outstanding effort. I truly hope it sets a standard to be imitated by other authors and mainstream publishers. I strongly recommend it for subject matter, content, and the practical problems.

On the other hand, unfortunately, the text has many typos and even a few erroneous calculations. For example, it is not uncommon to find such substitutions, as 0x45 for what should be 0x4F. I am not sure if this is the result of an automated review process or what. Most of the typos are inconsequential and it has become “fun” for the students to find them before other classmates. Such games can be very motivational. However, there are a small number of typos (errors) in example calculations that can be extremely frustrating for the students, especially when they spend hours working on problems trying to get their answers to match the examples in the book. Many of the exercise files are either missing or incorrectly labeled in comparison to the text.

Furthermore, the answers to the practical exercises provided by the publisher run about 25% outright wrong. I am not sure how or why that disconnect could have happened. My strongest recommendation for any instructor who wants to use this book is to work out each and every practical exercise yourself and compare the answers to those provided by the publisher. It will save you a lot of embarrassment in front of your students, especially when they have derived the correct answer and your answer is wrong.

As an instructor in this field, I will likely develop my own manuals and practical exercises for future use. That way, I can control content and quality. I selected this text for a quick start-up on an undeveloped course with an extremely short timeline for implementation. Other than the numerous typos in the text and errors on the answer key, the Elrick text is a great model for how such a text should be designed and organized. I sincerely hope that there will be a second edition and that it will be more thoroughly reviewed before publication.

Congratulations to Doug Elrick for a relatively successful first effort.

0 of 0 people found the following review helpful.
It's a good book.
By Adrian
I read the storage and file system related chapters from Windows Internals 6 before reading this book, but besides that it is my first book on the topic and I had NO prior knowledge. I went through the material 2-3 times in order to really understand and it was well worth it. What you get is a deep insight into how your data is structured on your disk from a file system perspective. Really good step by step teaching approach that gets the important stuff across in an easy to understand manner.

The editing is really bad. Countless typos, some of which you have to be creative to decipher. There are some errors in calculations of the examples as well. I sent an email to the address mentioned in the book to get the course material, but I got no response (1 week ago). You don't really need it in the end, but...just saying.

All in all, a good book if you are willing to work and dedicated to understand.

0 of 0 people found the following review helpful.
In its first edition this book had so many typos ...
By Liz in Tampa
In its first edition this book had so many typos, that for a student it was extremely frustrating to use. Hopefully future editions will fix this.

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Sabtu, 02 November 2013

[Z329.Ebook] Ebook Free How to Draw Steampunk: Discover the secrets to drawing, painting, and illustrating the curious world of science fiction in the Victorian Ag

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How to Draw Steampunk: Discover the secrets to drawing, painting, and illustrating the curious world of science fiction in the Victorian Ag

Enter into a world where fashion is Victorian punk, technology hasn't surpassed the steam engine, and inventors' workshops are filled with bizarre gadgets and contraptions that you haven't imagined in your wildest dreams. This is the world of steampunk; a world that has fueled a growing subculture and is making its presence known in mainstream media. From a crafty villain and steampunk laden woman to a steam-powered pet and a flying galleon complete with sails and propellers, talented illustrator Bob Berry takes readers through the process of drawing, painting, and digitally illustrating the marvelous players and elements of the steampunk genre. As aspiring artists learn how to create steam-powered machines and gadget-toting characters, Joey Marsocci and Allison DeBlasio of Dr. Grymm Laboratories explain the history and origin of steampunk, its cultural relevance, and other interesting facts about real-life steampunk machines and their makers.

  • Sales Rank: #202214 in Books
  • Published on: 2011-11-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 11.75" h x .38" w x 8.75" l, 1.29 pounds
  • Binding: Paperback
  • 128 pages

Review

Steampunk, once a little-known subcultural phenomenon, has gained popularity. After a brief discussion of the origins and influences of steampunk, husband and wife Marsocci and DeBlasio—who design steampunk props for films—and artist Berry provide background on basic tools and techniques, then go on to present exercises in steampunk-themed drawing, painting, and illustration. These projects increase in complexity over the course of the book, including some digital tools along the way. This title will appeal especially to young adult readers. - Library Journal

About the Author
Bob Berry has been an artist, illustrator, and character and graphic designer for more than 15 years. While the mainstay of Bob Berry's work is for children's publishing and textbooks, Bob has also provided art and illustration for CDs, children's games, toy packaging, and more. Visit bobberryillustration.com.

Joey Marsocci (Dr. Grymm) and his wife Allison DeBlasio (Mrs. Grymm) own Dr. Grymm Laboratories, a custom prop fabrication and fine art business based in Connecticut. They plan an annual Steampunk art exhibit called the Steampunk Bizarre which was hosted at Mark Twain House and Museum in the winter of 2012. Dr. Grymm has also appeared on the PBS OffBook series and the BBC America World Wide news speaking about his Steampunk Artwork. They live in Middletown, CT and have two children who both love costumes and props already! Visit them online at http://www.drgrymmlaboratories.net.

Allison DeBlasio (Mrs. Grymm) and her husband Joey Marsocci (Dr. Grymm) own Dr. Grymm Laboratories, a custom prop fabrication and fine art business based in Connecticut. They plan an annual Steampunk art exhibit called the Steampunk Bizarre which was hosted at Mark Twain House and Museum in the winter of 2012. They live in Middletown, CT and have two children who both love costumes and props already! Visit them online at http://www.drgrymmlaboratories.net.

Most helpful customer reviews

18 of 18 people found the following review helpful.
How to put the steam into your punk
By Ralph E. Vaughan
This is a great little book about drawing steampunk devices, characters and vistas. One of the nice things is that the authors assume you already know the basics of drawing and painting, so not a lot of time is wasted going over what is already so easily found in so many other general art books, and you can get right into the heart of steampunk philosophy and depiction. The artist with whom the authors worked did a great job providing step-by-step drawings of the projects, but his style was very "soft" for what was an uber-mechanical age; it would have been nice to include examples of a few other artistic styles, but since there are already several steampunk compilations around -- such as "The Steampunk Bible" -- it's a minor quibble. One aspect of the book which I really enjoyed was the inclusion of computer illustration techniques, ways to take your original drawings into the digital realm -- the instructions were clear, concise and concrete. If you're looking for a basic instruction/inspiration book on creating steampunk art, it's hard to beat this combination of value and scope of information.

16 of 17 people found the following review helpful.
From sketch to completion
By James D. Crabtree
This book was very handy for getting an idea of the style of artwork associated with this genre. The author takes you step-by-step, using original examples, to show you how it's done. A great book! I only wish it was longer with both additional illustrtaion/models and with some types of details expected in this type of artwork.

7 of 7 people found the following review helpful.
Very interesting information
By Luana
The book, How to Draw Steampunk, is very informative and has wonderful illustrations and instructions. It gives great ideas how the mind works when "out there" and want to draw something out of the ordinary. I love the time period it covers and it amazed me to see that some of our forefathers actually did use this method of engineering and creating.

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