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The Myth of the Magus (Canto original series), by E. M. Butler
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The Magus, a legendary magician of superhuman powers, is an archetype central to myth and religion across many cultures. Identifying its anthropological origins in ancient rituals performed by a shaman or wizard to ensure the prosperity of his tribe, E. M. Butler goes on to trace its subsequent development in pre-Christian religious and mystic philosophers, in medieval sorcerers and alchemists, and finally in the eighteenth- and nineteenth-century occult revival. From Zoroaster to Solomon, Merlin to Faust, Cagliostro to Rasputin, legends of the Magus are explored and where possible compared with the historical record in this fascinating account, first published in 1948, of one of the major figures in religious and occult mythology.
- Sales Rank: #1865761 in Books
- Brand: Brand: Cambridge University Press
- Published on: 1993-03-26
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .71" w x 5.43" l, .91 pounds
- Binding: Paperback
- 320 pages
- Used Book in Good Condition
Review
'Scholarly, original and entertaining.' The Times Literary Supplement
'Delightful reading and highly informative.' Bertrand Russell
'This book is filled with rich stories and a wealth of interesting material. It makes excellent reading.' Washington Post
Most helpful customer reviews
1 of 1 people found the following review helpful.
Low Magic
By Leo Rising
Published in 1947, in many respects Elizabeth Butler’s survey of the magician reads like a text written thirty to forty years earlier. The structure of The Myth of the Magus would not look out of place among books by A.E. Waite and, to a lesser extent, W. W. Westcott. However, unlike those two, Butler has no drive to initiate her readers into the mysteries, her account is entirely exoteric. Be that as it may, although it’s perhaps unfair to judge her book by current academic investigations into what the magician means, a reader seeking any kind of clarity or depth is likely to be disappointed here.
The weakest of her trilogy on magic (the strongest is The Fortunes of Faust, a reading of the Faustian mythos as a Christian/Satanist interpretation of earlier legends), Butler’s introduction casts the magician as a stock character whose story is derived from the posthumous mythologizing of historical personalities and which, later, becomes an archetype after which some individuals have consciously sought to self-fashion. The social need for such a character, Butler argues, stems from a tribal memory of the shaman which has never quite died out but which has, instead, complexed. She argues that there are common stock features among the individuals regarded as Magi and lists ten such themes, few of which work (there is, for example, no “Dying-Rising” component in the stories surrounding most magicians) and the rest are obvious (“travelling in search of wisdom”).
Following this, short biographies of selected Magi beginning with Zoroaster and ending with Blavatsky (mercifully, Crowley, who died the year this was published, is absent) fill around three hundred pages. These biographies shed no light on the real personalities of the individuals concerned. Accounts of miracles and extraordinary events feature strongly but there’s nothing approaching how these individuals came to lend themselves to such stories, there is no questioning what characteristics these individuals possessed. In short, there’s no real analysis of what makes a Magus.
As an introductory text, The Myth of the Magus is functional if dry and antiquated but given the quality of a number of cultural histories on the magician and his art which are easily available, neither is this the wisest place to begin.
5 of 5 people found the following review helpful.
The historical basis of the Faust legend
By Jerry Richardson
An excellent historical guide for students of History or Religion. The Myth of the Magus is a very good and readable introduction to the history of magic in the West from the Magi refered to in the New Testament to Madame Blavatsky. Gives some insight into the historical survival of magical ideas and beliefs to the present, but the treatment ends in the early 20th century. Belongs with books by Norman Cohn, Frances Yates, Carlo Ginzburg, and Peter Levenda. One final note: The book does not ignore alchemical ideas but does not go into detail on them either.
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